‘The Crossen & Borowsky team stands out for their warm and humane approach, depth of research and understanding of the complexity of each individual case. Despite being at the top of their game, they constantly engage in updating their skills and knowledge in this ever-changing environment. Their objectivity and professionalism brings added value, and the client feels well treated, understood and protected.’

‘Raechel Crossen is a highly experienced lawyer. Her skills enable her to negotiate with the largest media groups with ease and efficiency. She is a great professional.’

‘Sophie Borowsky is a very moderate, positive and nice person. She is always generous with sharing knowledge about current trends in the film industry, which adds to her profile as a very niche and rare specialist. A pleasure to work with her, always!’

‘The team at 111 Avocats has been with us since the beginning. They have exceptional knowledge of our environment, new business and legal practices.’

‘There is a strong complementarity between the different lawyers that we solicit depending on the matter.’

‘Karine and Julien consult with each other whenever necessary. You get the feeling of having the support of two outstanding attorneys with personalities and approaches that are different but very complementary. They also have a deep bench of friends in the industry as well as a vast network of professional colleagues they have worked with here in Europe and in the US. They are incredibly social and leave a wonderful impression such that people take their calls.’

‘It is a very good and available team that seems to know the field of cinema and the issues well.’

‘Julien is not only licensed in France but he is also licensed in California. We do business both in the US and France and he’s been extremely helpful in working with our US based attorney to make sure that our contracts work for us both in California and in France.;

‘The strength of this team seems to me to be its perfect understanding of my profession and the particularities of the world of cinema. This strength translates not only into precise answers to support me, but also to anticipate future problems.’

‘François Ronget has a perfect knowledge of the mechanics at work at all stages of production of an audiovisual project – from its development, financing, and delivery of the project, but also the distribution of the project – therefore its exploitation in the short and long term.’